Exploring major/minor sounds
Single octave tonality fun
See Major Pentatonic for a lesson/tutorial about this test.
This exercise should be performed rubato in every natural key. You should probably only attempt one or two keys the first few times you practice this exercise (I recommend starting with C).
Play the three major triad shapes on the top four strings. Visualize how the box shapes sit within these three triad shapes.
Start with the box shape that sits lowest on the neck (you can ignore open strings for simplicity, and only play boxes that are fully fretted). For example, if you are practicing in the key of A, you’d start with box 1 at the second fret.
First, play with pentatonic notes only:
Play the connected shapes in a serpentine manner: ascend from the lowest note of first box to the highest, then descend through the next box, then ascend, etc.
You can either “bounce back” from this point, or continue for several iterations before reversing direction. Be sure to practice both directions (ascending and descending) of every box shape, however.
You can play the exercise confidently in all keys at roughly 120 BPM (quarter notes).
Single octave tonality fun
Connecting boxes 2, 2, and 3
Connecting boxes 2, 3, and 4
Connecting boxes 3, 4, and 5
Connecting boxes 5, 1, and 2
Connecting boxes 5, 1, 2, and 3